Friday, December 2, 2016

Published 2:39 AM by with 0 comment

Thailand's new king makes first public appearance

Thailand's new king makes first public appearance


Thailand proclaims new king

Thailand's new king on Friday made his first public appearance since ascending the throne the previous day, ending a period of uncertainty since the death of his father, King Bhumibol Adulyadej, on Oct. 13.

King Maha Vajiralongkorn Bodindradebayavarangkun, 64, took part in a merit-making ceremony at Bangkok's Grand Palace to mark 50 days since his father's death plunged the country into grief.

Civil servants dressed in black and white, the official colors of mourning, lined the streets to the palace as the new king's convoy passed.

King Maha Vajiralongkorn, who was then the crown prince, surprised some when he asked to delay his succession following the death of his father, leaving the throne unoccupied for seven weeks.

His official taking of the throne, in a brief ceremony televised late on Thursday, ends that unprecedented interregnum while raising new questions about the palace's relationship with the generals who have been in power since a 2014 coup.

The military government has made it clear it wants to oversee economic and political developments for years to come, even after a general election it has promised to hold in 2017.

Thailand's new King Maha Vajiralongkorn Bodindradebayavarangkun is seen on his way out from the Grand Palace in Bangkok, Thailand.

Critics say a military-backed constitution, which will need the new king's stamp of approval, will consolidate the army's power, but financial analysts were upbeat about the outlook.

"Forget about Game-of-Thrones intrigue. With a new constitution in place and the royal succession behind, the conditions for institutional stability are in place," Tim Condon, chief economist for Asia at ING in Singapore, said in a note.

"We blame its absence since 2013 for the dismal economic performance and we consider its return an important turning point."

Southeast Asia's second-largest economy has suffered over more than a decade of on-off political unrest stemming from confrontation between the old royalist establishment and new populist political forces.

Since taking power in 2014, the junta has struggled to revive an economy hobbled by weak exports and slack domestic demand.

"Thailand remains politically fragile and it remains to be seen how the new king will navigate uncertain waters," a senior Western diplomat based in Bangkok, who declined to be identified because of the sensitivity of the matter, told Reuters.

Thailand is a constitutional monarchy but the palace is one of its most influential institutions
On a street near the Grand Palace, shops on Friday displayed gold-framed portraits of the new king alongside pictures of his father.

Criticism of the monarch, the regent or the heir, known by the French term lese majeste, is a crime that carries a jail sentence of up to 15 years in Thailand.

source by  http://www.reuters.com/
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Published 2:23 AM by with 0 comment

Top 5 Must-See Attractions in Bangkok

Top 5 Must-See Attractions in Bangkok


           Bangkok's Grand Palace.

TravelBound has the scoop on Bangkok, Thailand’s capital and a can’t-miss destination. Distinctive culture and beautiful settings awaits visitors. Here’s the top five to-do’s.

No, not a “long” boat ride, a “long boat” ride

Bangkok is one of the most popular tourist destinations in the world. With its beautiful natural setting and eye-popping infrastructure, Bangkok truly hits a “home run.” Haven’t caught your attention yet? How about taking a ride on a long boat down the murky, yet pretty Chao Phraya River? You can even make purchases while on the boat at the famous floating markets, all while getting a captivating view of the city’s monuments in the background.

Visit the Grand Palace

The Grand Palace houses a multitude of buildings directly in the center of Bangkok. The King of Thailand lived in the palace for well over 100 years until the early 20th century. While it no longer houses the king, royal ceremonies and state functions still take place there. The architecture of the palace is stunning, and the Thai art matches its beauty. Take a boat ride to and from the complex with gorgeous views as you approach. Make sure you completely cover your legs when heading to the palace, otherwise you won’t be allowed in. Want to learn more about its background? Take one of the free — yes, free — guided tours
.
Wat Pho, aka Temple of the Reclining Buddha

This main attraction of the temple is the reclining Buddha, which stands at about 15 feet tall and 150 feet long. This may be the best 100 baht (entry fee) you spend during your trip. For another 200-400 baht, you will be able to join English speaking guides to find out all of the minute details. No, the reclining Buddha is not the only attraction here. Go for a walk to any of the four chapels containing almost 400 gilded Buddhas. You can even get a relaxing massage in the backyard of the temple, which many people refer to as the best they’ve ever received. To top it all off, it’s a short ten minute walk from the Grand Palace — why not make it a day trip?

Chatuchak Weekend Market

Fifteen thousand stalls. Two hundred thousand visitors per day. Sound intimidating? Welcome to the market life of Bangkok. Chatuchak Weekend Market is the largest in Thailand, offering everything from Thai-style food to plants, clothes, books and even pets! You should definitely try to hit the stalls early as they will be filled by midday, especially since all but one section (Jatujak Plaza) is only opened Saturday and Sunday. Be prepared to bargain, though, because this is a norm in Thailand! Prices are cheap already, but the less it costs, the more you save — or the more you get to spend elsewhere.

Wat Arun, aka “The Temple of Dawn”

One of the most eye-catching temples in Bangkok, this landmark was given its name by King Taksin in 1768 after arriving there as dawn was breaking. If you enjoy quiet, easy walk-throughs, we suggest visiting early in the morning before the large crowds make their way over. Don’t hesitate to visit around sunset — it’s a beautiful sight when it’s lit. The base of the tower atop the structure has sculptures of Chinese soldiers and animals. The inner hall has a golden Buddha, similar to those in Wat Pho, and is decorated with murals. If experiencing new cultures is your thing, Wat Arun is a must-see.

source by  http://www.travelpulse.com/
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Thursday, December 1, 2016

Published 12:18 AM by with 0 comment

Building a village

Building a village

How His Majesty King Bhumibol Adulyadej's royal project saved a community



Mexican sunflowers (bua tong) in full bloom at Doi Mae U-Khor, one of the top destinations in Mae Hong Son.
More than 40 years ago, Mae Hong Son did not have electricity, tap water or roads. It was remote from any modern development, but the province was not too far for His Majesty King Bhumibol Adulyadej to visit his people and initiate royal projects to help improve their lives.

The first rice bank in the country, for example, was initiated by the King in 1970 in Ban Pa Pae village in Mae Sariang district, about 160km south of the town of Mae Hong Son.

"I love the King. Because of His Majesty, our lives have changed for the better," said Sangla Primikha, the village head.

Ban Pa Pae is home to the Le Wuea hilltribe, which other people may call Lua and Lawa, said Sangla. Le Wuea in Ban Pa Pae are farmers and grow rice once a year for their own consumption. Since the village is in a valley surrounded by mountains, they grow rice in areas such as the rice terraces. In the past, they used vast stretches of land for farming because every year they moved from one plot of land to another, returning to the first plot after having left it for 10 years. This farm-rotation method dramatically reduced the area of green forest.

From 1956-65, the people could not grow enough rice to eat due to drought. They had to buy rice, and mix rice with other crop seeds such as corn, grains of sorghum (khao fang) and roots of wild yam (kloy).

During those years, American anthropologist Prof Peter Kunstadter conducted field research on the ethnic people in the village. He reported the problem of the villagers to Prince Bhisadej Rajani, a close-friend of King Bhumibol, and the president of the royal project for the development of hilltribes at the time.

When the King learned of the living conditions of the people in Ban Pa Pae, in 1970 he and Queen Sirikit visited the village by helicopter. Equipped with a map, His Majesty advised the villagers to save the remaining forest, especially on top of the mountains, as it was the source of their natural water. He also suggested the villagers set up a rice bank and gave them 20,000 baht as an initial investment.

The villagers spent the money on 200,000kg of rice, enough to share among the villagers. The concept of the rice bank is to lend rice to villagers at 20% interest. If one borrows 100kg of rice, they have to return 120kg of rice another year, said the village head. The rice bank has been operating for 46 years.

"We have enough rice since we set up the rice bank and followed other advice of the King," he said. The royal project brought in agriculturists to help the villagers learn how to improve the soil in order to grow rice in one plot, and stopped the farm-rotating technique, which needed 10 plots of land for one family. The villagers also learned to plant many types of vegetables and fruits and sell them to the royal project.

"In the past, we did not know that forest, water and rice fields were all related. The King told us the forest was the main source of water so we must preserve the forest," he said. The villagers followed the teaching of the King, and so far they do not have a water-shortage problem. They can grow rice and other crops. They also raise pigs, chicken and fish.

"We have regular incomes and spend almost nothing to buy our food, as we have our own food supplies," he said.

Their Majesties visited the village five times between 1970 and 1981 to follow up on the royal initiatives. In 1979, a dirt road was cut to the village, and electricity was made available in the village in 1996.

At present, Ban Pa Pae has 94 families, and their produces is sold to the Mae Sariang Royal Project Development Centre. The village opened a homestay service this year.

The dirt road is now a concrete road, making it easier for tourists to visit the village all year round. One of the highlights is the view of rice terraces, green from August to September, which turn to golden terraces in October, said Somporn Panyachanalert, the president of the women's club for weaving cloth.

Visitors can also learn to cook local food such as sabueak kai (spicy minced chicken with herbs), nam phrik thua nao (spicy fermented soy beans) and yam bai bua bok (spicy fish with chopped pennywort). In addition, there is a small market where tourists can buy the dress of Le Wuea and cotton bags made by villagers.

About 25km north of Ban Pa Pae is Ban Huai Hom in Mae La Noi district. The village is home to the Pakakayor ethnic group and is known as the first community to raise sheep to produce woollen cloths.

In the past, the village was poor. Although they grew rice for their own consumption, some families did not have enough to eat, said Maliwan Nakrobphai, the community leader who is also president of Ban Huai Hom Weaving Group and the Coffee Processing Group of Ban Huai Hom.

They learned how to raise sheep and grow coffee trees with the support of a group of American missionaries who visited the village in 1957. The missionaries wanted to improve the villagers' living conditions and help them with medical care, education and farming.

Surrounded by rolling mountains, Ban Huai Hom, situated about 1,000m above sea level, has cool weather all year round. The weather helped the flourishing of Arabica coffee, which soon became a major source of income for the village.

But in the past, the village also had the problem of deforestation. Ban Huai Hom was also in the red zone, where ethnic groups in the North widely grew opium. Their Majesties visited the village in 1970 and saw the denuded mountains left behind by shifting cultivation. The King expressed concern over quality of life and extensive deforestation.

In 1978, Maliwan's father, Taloe, led the King into the forest to see a small stream called Huai Ba Khi.

"The King looked at his map and suggested we dig up three reservoirs to store water for our consumption, especially during the dry season," said Maliwan. Equipped with hoes, villagers spent about 10 years digging the reservoirs, still used for tap water.

The Mae La Noi Royal Project Development Centre was founded in 1980 to improve the living conditions of hilltribes, including villagers of Ban Huai Hom, by introducing highland crops. HM the Queen also helped improve the quality of sheep fleeces by introducing imported breeds.

Today, woven wool cloths are available at the development centre, other royal project centres in Mae Hong Son, and the Bang Sai Royal Folk Arts and Crafts Center in Ayutthaya, and are exported to many countries.

Ban Huai Hom also offers homestay services for visitors to learn how to create woollen yarn from sheep fleeces, taste their export-quality Huay Hom branded coffee and try local food. Those who love trekking can visit the reservoirs and taste organic ripe coffee berries from the trees in the forest.

"HM the King always visited remote villages where government agencies cannot reach out in order to improve the living conditions of hilltribe people," said Manoon Raksachon, the head of the agricultural-research team of the Mae La Noi Royal Project Development Centre.

The royal development projects still live on. The centre also plans to expand its coverage to support more hilltribe farmers

Mae Hong Son nowadays is no longer too far to reach. At last Ban Huai Hom and Ban Pa Pae have gradually developed into tourist destinations where visitors can learn the simple life of hilltribe farmers in a fresh and green laid-back environment.


Maliwan Nakrobphai harvests ripe Arabica cherries in the forest along the walking trail to the reservoirs.


Wat Ban Pa Pae has a few monks living in the monastery. Half of the people in the village are Buddhist, while the rest are Christians.


Le Wuea people still preserve their language and also learn Thai in the school initiated by the late Princess Mother. Many of the traditional wooden houses, on raised platforms, were changed to concrete houses after a big fire 40 years ago.


Ban Huai Hom has about 30 sheep to produce woollen cloth. The products, produced by more than 60 women, can be used for woollen scarves, shawls, knit caps, tablecloths and bedsheet covers. They also mix cotton with wool to create more patterns and colours. Their products have been certified as a five-star Otop product of Mae Hong Son.


Manoon Raksachon has worked at the Mae La Noi Royal Project Development Centre since 1993. The project supplies seeds and also provides knowledge to villagers to grow many cool-climate vegetables and fruits.

Located not far from Doi Mae U-Khor, Phu Chi Phoe is a new attraction of Khun Yuam district. Its vantage, at 1,818m above sea level, is the spot where visitors can see mist at the break of dawn. Phu Chi Phoe is located in the Mae Yod Water Resource Management Unit. Visitors need a 4x4 vehicle to reach its vantage point.



source by  http://www.bangkokpost.com/
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Wednesday, November 30, 2016

Published 3:47 AM by with 0 comment

TAMBON CHIANG HAEO, THAILAND, Lotus Lake

TAMBON CHIANG HAEO, THAILAND


Lotus Lake

Stunning wetlands ablaze with pink lotus flowers



A true surprise in Thailand’s Northeast - often considered to be solely a rice-farming region - these wetlands remain predominantly hidden by tall elephant grasses that belie the expanses of water lying beyond them, and are known for the most part only by the local villagers who venture out to fish and to collect snails and lotus stalks for use in the preparation of their daily meals.
Best visited in the cool season from December through February, these shallow, limpid waters may only be visited on a wooden boat belonging to the local fishermen and villagers. Having cleared the elephant grasses, a thick carpet of pink lotus blooms suddenly confronts you. A constellation of millions of startling, flamingo-pink lotus flowers dance above the crystalline waters of the Lotus Sea.


This is quite literally the land of the lotus eaters! The seeds and stems may both be eaten, and the flowers are an important Buddhist symbol. If the lotus plant does not seduce you from a culinary standpoint, then do try the fiery local cuisine with its spicy salads, lime-bathed fish, and fresh meat dishes: the food of the Northeast has now become a favorite among the Thais and may be found throughout the kingdom.

The wetlands are home to around 80 species of bird, including the endangered grey heron, purple heron, and black kite. Other rare species include the Brahminy kite and the cotton pygmy-goose.

source by  http://www.atlasobscura.com/
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Published 2:20 AM by with 0 comment

Meet the man behind Chiang Mai’s newest contemporary art museum

Meet the man behind Chiang Mai’s newest contemporary art museum


In July, Thai businessman Eric Bunnag Booth unveiled MAIIAM, a visually striking contemporary art museum in the northern Thai city of Chiang Mai with grand visions to fuel a healthy market of art collectors in the country. Focus Asean meets with the 47-year-old marketing whizz and art collector to find out how he is applying the lessons he learned in the stock market and the textile trade to the simmering – and often unpredictable – art world




Even from a distance, MAIIAM is an arresting piece of architecture. It is located along a 3km corridor commonly known as the ‘handicraft highway’ in Chiang Mai’s San Khampeng district, 7km south of the old city centre. Next to the museum, small to medium factories, trendy artisan showrooms and busy noodle stands sit side by side while emerald green rice fields stretch towards the horizon. A converted warehouse, MAIIAM is fronted by an eye-catching, curved glass façade –designed by the hip Bangkok architectural firm all(zone) – that has become a shimmering focal point for museum goers, locals and anyone who ventures by.




Recently, I met MAIIAM’s co-founder Eric Bunnag Booth at Khampeng Kaew, the museum’s stylish café, where, after a private tour of the 3,000-square-metre museum, we sat down to chat about his perspectives on why investors should be paying attention to Thailand’s burgeoning art market.

Before getting started, Booth ordered us each a cocktail aptly named ‘Night At The Museum’, a generous shot of dry gin spiked with a passion fruit and lime syrup. “It could be a little stronger,” said Booth after the first sip, a telltale sign of the entrepreneur’s penchant for the bold and irreverent. Booth has been collecting contemporary Thai art since the early 1990s, when he stumbled across the work of Montien Bounma, a Chiang Mai-based artist who was breaking away from the country’s classic representational art and experimenting with new materials. Over the next two decades, Booth and his family amassed a formidable collection, including the internationally recognised Rirkrit Tiravanija, Kamin Lertchaiprasert and Thawan Duchanee and regional big names, like the Cambodian-American sensation Anida Yoeu Ali. With more than 400 works to show and display, Booth and his stepfather Jean Michel Beurdeley (who he founded MAIIAM with) felt a private museum could fill a gap and help propel the country’s art market to the next level.

“Up until now, there were no places to view a permanent collection of Thai contemporary art,” explained Booth. “It always seemed a bit strange to me that to learn about Thai contemporary art, you have to go to Singapore, where they’ve collected and displayed Southeast Asian art for decades.”
“MAIIAM’s permanent collection is strictly our point of view. We are not attempting to catalogue the entire evolution of contemporary art in Thailand,” he asserted. “We started things off with exhibiting two big names [the Cannes-winning filmmaker Apichatpong Weerasethakul and acclaimed video artist Kamin Lertchaiprasert], but moving forward we want to showcase new voices and host young guest curators.”

Funded exclusively by Booth and his family, MAIIAM is a private museum and operates much like a small business with multiple revenue streams. Ticket sales, a retail shop and the café are expected to fully finance all operational costs, and so far, Booth states they have been on target. Even though the museum provides a public service, stated Booth: “we receive no tax breaks or advantages like other similar projects abroad”.

Booth is perhaps best known in his role as assistant managing director of the Jim Thompson Group, an iconic Thai silk brand that generates $100m per year in group revenues. Booth is part of the third-generation management of the company set up by Jim Thompson in 1951. His father, William Booth, started working with Thompson in 1963 and is now managing director of the company. When Eric Booth joined his father nearly 20 years ago, he quickly set about revitalising the company as a sophisticated, modern lifestyle brand. In 2003, Booth was instrumental in establishing the Jim Thompson Art Centre, adjacent to the Jim Thompson House in Bangkok’s Pathumwani district. A project of The Jim Thompson Foundation, the Art Centre has exhibited everything from textiles to cutting-edge art shows featuring local and international artists. It soon attracted a strong local following: “Ironically, we introduced a whole new generation to Jim Thompson, and the exhibits keep bringing them back,” Booth said.

An art market invariably rises when there is enough wealth and sufficient artwork within an economy.  The value of a piece fluctuates over time, and with ongoing sales, re-sales, auctions and high-profile shows such as Art Basel and the Venice Biennale, pieces of art have the potential to generate their own capital gains.

This year during the Hong Kong Spring auctions, Sotheby’s generated HK$3.1 billion, a 17% increase on the previous year. Chinese modern artworks were among the highest performers, and the Chinese government continues to underwrite museums and show their work abroad.

According to Kim Chuan Mok, Sotheby’s head of modern and contemporary Southeast Asian art, interest and sales in the region’s modern art have also grown steadily. “In 2014 and 2015, the yearly totals equalled HK$350m and HK$349m, respectively. Blue chip, fresh and rare works by established modern and contemporary artists were especially sought after,” said Mok. He added that while Thailand underperforms compared with other countries, there is growing interest among collectors for emerging Thai artists.

Booth agreed that the Thai market has  vast potential, but that it needs investment. “The public sector is not doing much to support Thai artists at big international shows, so it falls on the private sector.”

In 2003, Thailand poured money into an initiative called ‘the creative economy’ and helped jumpstart Thai designers to reach a global marketplace. But contemporary artists lack this kind of backing.



“We have a handful of collectors [in Thailand], the wealth is here but the tradition of collecting is not strong,” said Booth. Things are changing, however. These days, Bangkok’s ‘hi-so’ entourage [an armada of cashed-up 20- and 30-something-year-old millennials] are snapping up modern, progressive pieces of art. “Back in my day, it used to be a Ferrari or a [Birkin] Kelly bag, but these days it is art, which is a great!”

MAIIAM’s attendance records support this claim, where 90% of visitors are between 25 and 35 years of age. “I’m really happy to see these numbers,” stated Booth, adding that the younger audience galvanised support through social media. “I’ve never fully witnessed the power of social media until now. With social media, visitation and conversations about us skyrocketed. Ten years ago, we would have had to wait three years to get mentioned in a guidebook.”

Unlike Singapore and Hong Kong, where museums, galleries, creators and collectors support a thriving market for art collectors and investors, Thailand’s modern art market is still in its early stages of development.

Thailand also lags behind the Philippines and Indonesia, where the contemporary art market is bustling. “There is a precedent for collecting in the Philippines and Indonesia,” stated Booth. “The Dutch and the Spanish influence is quite strong. Art schools there too enjoy a relationship with European schools where there is experimentation and freedom of thought.”

“In Bangkok, there are as many galleries opening as there are closing,” Booth lamented, adding that without a robust community of galleries to market contemporary art and artists, and without enough buyers, the art market will languish. “Things have changed a lot [in Thailand] in the last ten years, but we are still playing catch up.”

 source by  http://sea-globe.com/

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Published 1:52 AM by with 0 comment

Bangkok, Capital of Thailand

Bangkok

Capital of Thailand




Bangkok, Thailand’s capital, is a large city known for ornate shrines and vibrant street life. The boat-filled Chao Phraya River feeds its network of canals, flowing past the Rattanakosin royal district, home to opulent Grand Palace and its sacred Wat Phra Kaew Temple. Nearby is Wat Pho Temple with an enormous reclining Buddha and, on the opposite shore, Wat Arun Temple with its steep steps and Khmer-style spire.

Traditional teak buildings like the grand Vimanmek Palace and the residence-turned-museum Jim Thompson House contrast with the city’s skyline of modern high-rises. Shopping options range from the upscale mega-malls of the Ratchaprasong district to the thousands of tiny stalls at overflowing Chatuchak Weekend Market. The city’s renowned food scene spans traditional street-cart snacks – spicy, sour, sweet and salty – to upscale international restaurants. Bangkok is also known for its exuberant nightlife, with venues ranging from swanky rooftop lounges to basic backpacker bars and nightclubs of the notorious Patpong district.

source by  https://www.google.com.bd/
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Wednesday, November 23, 2016

Published 1:43 AM by with 0 comment

Top 10 Points Of Interest In Wan Chai, Hong Kong

Top 10 Points Of Interest In Wan Chai, Hong Kong

The district of Wan Chai was nationally and internationally renowned for being the party area, where late night debauchery is common. Nowadays, though still popular for it’s lively night scene, it’s a pleasant neighborhood that caters to all who want to wander, shop and explore.

Golden Bauhinia Square

The forever-blooming bauhinia is the floral emblem of Hong Kong that can be seen on Hong Kong’s coat of arms, flag and coins. In the Golden Bauhinia Square, a golden sculpture of this emblem –a gift from the Central Government – sits proudly upon its pedestal marking the 1997 handover. It’s a popular tourist destination, particularly for the mainland Chinese visitors, who come to take pictures of this significant symbol of reunification. If you visit between 7:50 – 8:03 a.m., you’ll be able to witness the daily flag-raising ceremony performed by Hong Kong police officers against the beautiful harbor backdrop.

Hung Shing Temple

It is said that the Hung Shing Temple in Wan Chai was built between 1847 – 1852 as an altar upon a rock, to which many fishermen, farmers and sea traders would come to worship their deity. Despite the changes to the city streets surrounding the temple and the land reclamation that meant the temple became situated further inland, the temple is still very much in use today by those who wish to ask for protection from the sea deity and those looking for more insight into Chinese religion.

Central Plaza

Central Plaza is yet another focal point in the Hong Kong skyline within the Wan Chai district. Not only is it a 374-meter-tall building with 78 stories of lettable office space and made of 50,000 square meters of glass equating to 11 standard football pitches, it also houses Lightime – a high-tech lighting system that indicates time through changing colors in a regular sequence. It consists of four neon bands that change color every quarter hour.


Hong Kong Convention and Exhibition Centre

With it’s 40,000 square meter aluminum roof sculpted into the shape of a seabird souring in flight, the Hong Kong Convention and Exhibition Centre is hard to miss. It’s a major landmark within the city skyline and acts as a major venue for cultural exhibitions and performances. Over 44,000 events have been hosted since its first opening in 1988, and the building now consists of five exhibition halls, two convention halls, two theaters, 52 meeting rooms, seven restaurants and more. So, if you’ve got the time, be sure to check out the programs available and get sucked into the exciting events.


Stubbs Road Lookout

Considered to be one of the best locations to see an unobstructed view of Wan Chai, Stubbs Road Lookout is perfect for those wanting to see a spectrum of famous buildings and scenic spots in Hong Kong. The best time to go would be just before sundown, in order to see the city change between glorious day scenes to shimmering night lights in a stunning panoramic view.

Hopewell Centre

One of the main reasons people venture to the Hopewell Centre is usually because they’re looking to find alternative ways to view the city. This 64-story building boasts a pair of glass-fronted elevators that allow you to witness some lovely views of the iconic skyline. It is the first circular tower in Hong Kong and is also home to a revolving restaurant, The Grand Buffet, which completes a 360 degree rotation every hour.


Blue House

A four-story building named after the color of its walls, the Blue House is a perfect example of one of the few remaining balcony-type buildings in Hong Kong – now listed as a Grade I Historic Building. Originally the site of the first hospital, Wah To Hospital, the reconstructed building is now used to house the Hong Kong House of Stories, a museum that aims to pass on culture by creativity and to raise local awareness for cultural conservation.


Tamar Park

Covering an area of around 1.76 hectares, the park was opened to the public in October 2011 and provides a wonderful green escape within the heart of Hong Kong. The spacious green lawns are perfect for a summer picnic (just pray it doesn’t rain sporadically), and the park offers beautifully picturesque views of Victoria Harbour. With facilities such as an amphitheater, a floating platform, water features and more, it’s an elegant and minimalistic park that emits tranquility.


Hong Kong Arts Centre

The Hong Kong Arts Centre is a self-financed, non-profit organization that highlights art within the community – a huge player in promoting Hong Kong’s contemporary art and culture scene to the general public for the past 38 years. They provide a number of programs that are held within their numerous facilities: cinema, theaters, galleries, classrooms, studios and restaurants.


Lovers’ Rock

If you’re traveling in Hong Kong with your lover, or hoping to find someone new, Lover’s Rock is an interesting monument symbolizing the traditional superstition and belief that this is the home to the God of Love. Overlooking Wan Chai from Bowen Road, this rock formation is draped with paper prayers where people come to pray for eligible partners – a well-respected rock that sees local visitors almost everyday. Old traditions have seen that the stained crimson rock has turned into a symbol of luck and fortune for those also wishing for fertility, by offering bottles of wine whilst they pray.



source by  https://theculturetrip.com/
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